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Charles Gounod
FAUST
April 27 | May 2 at 7:30pm
May 5 at 2:00pm
Queen Elizabeth Theatre
Tickets start at $50

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Charles Gounod
FAUST
April 27 | May 2 at 7:30pm
May 5 at 2:00pm
Queen Elizabeth Theatre
Tickets start at $50
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Gounod’s Faust is the pinnacle of 19th century French opera, it’s full of rich characterization, it’s dramatically exciting, and it’s exuberantly evocative. Faust, an aged and bitter man, sells his soul to Méphistophélès in return for youth and the love of Marguerite, an innocent young woman. By trying to have it all, he loses everything. Gounod’s sensuous and sublimely melodic masterpiece will be presented in a production not seen before in Vancouver. This all Canadian cast features east-coast native David Pomeroy and local favourite Simone Osborne, last seen in our 2015 production of Rigoletto. Making his Vancouver Opera debut is Toronto native Robert Pomakov, who appears regularly in the world’s greatest opera houses. Jonathan Darlington returns to conduct the Vancouver Opera Orchestra and Chorus.
The performance will last approximately 2 hours and 50 minutes, including 1 intermission.
Sung in French with English SURTITLES™
Production Sponsor
Production Patron
Martha Lou Henley, C.M.
Production Patrons
Michael and Inna O’Brian
BUY TICKETS
CREATIVE TEAM
Lighting Designer: Gerald King
Production Stage Manager: Theresa Tsang
CAST
In order of vocal appearance
Scott Rumble as Wagner
With the Vancouver Opera Chorus and the Vancouver Opera Orchestra.
SYNOPSIS
Faust has spent a lifetime in the study of science. Disillusioned with life, he resolves to poison himself. He curses God and calls on the Devil. Méphistophélès obligingly appears and offers Faust riches, power, or glory. Faust, however, only wants to recapture the innocence of youth. Méphistophélès agrees to Faust’s request, but there are conditions: on earth Faust will be master, but in the world below their roles will be reversed. When Faust hesitates, Méphistophélès conjures up a vision of Marguerite. Faust signs the contract and returns to his youth.
Valentin and Wagner are going off to war with the other soldiers, and Valentin is concerned about leaving his sister Marguerite unprotected. Wagner starts a song to cheer everyone up, but is interrupted by Méphistophélès. Méphistophélès tells fortunes: Wagner, it seems, will be killed in his first battle. The flowers that Siébel picks will wither, and Valentin will meet his death at the hands of someone close to Méphistophélès. Dissatisfied with the wine on offer, Méphistophélès conjures up a better vintage to toast Marguerite. This angers Valentin and both draw their swords. Valentin strikes out and his blade shatters. Everyone is convinced they are in the presence of the Devil. Méphistophélès leads Faust to a place where couples are dancing. Faust sees Marguerite and offers her his arm. She refuses, but so charmingly that he is left more entranced than before.
Siébel gathers flowers for Marguerite outside her house. As Méphistophélès predicted, they wither, but holy water seems to restore them. Méphistophélès and Faust have been watching, and Méphistophélès leaves a box of jewels for Marguerite. The atmosphere of innocence surrounding Marguerite’s home moves Faust. Marguerite finds the jewels and puts them on. When she looks in the mirror, she sees a different woman and is further confused by the encouragement of her neighbour, Marthe. Faust and Méphistophélès return, and Méphistophélès flirts with Marthe, giving Faust the opportunity to seduce Marguerite. She begins to give in. Méphistophélès conjures up a garden and makes Marthe run off before disappearing himself. Marguerite realizes she loves Faust and they make love.
Seduced and abandoned, Marguerite is expecting Faust’s child. She is still in love with him and prays for him and their unborn child. The soldiers return with Valentin. Siébel tries to stop him seeing Marguerite but Valentin, suspecting the worst, pushes him aside. Outside her house, Méphistophélès serenades Marguerite on Faust’s behalf. Valentin and Faust fight and, with the intervention of Méphistophélès, Valentin is fatally wounded. Marguerite watches her brother die and hears him curse her with his last breath. Distraught, Marguerite goes to church to pray for forgiveness. When she hears the voice of Méphistophélès telling her that she is damned, she collapses in terror.
With Méphistophélès’s help, Faust goes to the prison in an attempt to save Marguerite. She seems to recognize her lover and recalls the night when he first seduced her. Faust is overwhelmed with pity. Marguerite panics at the sight of the Devil and, with a frantic appeal to heaven, she dies. Méphistophélès damns her but angelic voices proclaim she is saved.
MUSIC YOU NEED TO HEAR

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For a time, Charles Gounod's (1818–1893) Faust was the most popular opera in the world. Aside from the operatic adaptation of this immortal tragedy, the french composer is best known for the Ave Maria, his homage to J.S. Bach, and an adaptation of Shakespeare's Romeo and Juliet. The story, adapted by Gounod's librettists Jules Barbier (1825 – 1901) and Michel Carré (1821–1872) from Carré's play Faust et Marguerite, is based on Part I of Goethe's epic poem Faust, which was a major inspiration for many composers during the 19th century and beyond.
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Mythical, elegant, decadent. Charles Gonoud's Faust had its premiere at Boulevard du Temple in Paris, France in 1859. It had its Vancouver Opera premiere in our 1962-1963 Season, and was last produced by VO in our 2005-2006 Season. This is the 6th time Vancouver Opera has mounted a mainstage production of Faust.
Pictured: Richard Cross and John Alexander in an ad for Faust, from our 1962-1963 season. Photo by Barry Glass.
