Così fan tutte

Opera in 2 Acts

Composed by Wolfgang Amadeus Mozart Libretto by Lorenzo Da Ponte Premiered January 26, 1790 at the Burgtheater in Vienna Sung in Italian with English Projected Titles. This performance is approximately 3 hours and 20 minutes, including one 25-minute intermission.

CAST Ferrando Owen McCausland Guglielmo Clarence Frazer Don Alfonso Daniel Okulitch Fiordiligi Jamie Groote

Dorabella Alex Hetherington Despina Tracy Dahl Larry, the Bartender Daniel Curalli Trixie, the Pianist Tina Chang

CREATIVE TEAM Conductor & Chorus Director Leslie Dala Stage Director Robert Herriot Production Conceived + Set Design Sheldon Johnson Costume Designer Donnie Tejani Lighting Designer Jamie Sweeney Intimacy Director Lisa Goebel Assistant Director & Intimacy Captain Tayte Mitchell* Assistant Lighting Designer Gillian Hanemayer

Principal Répétiteur Tina Chang Répétiteurs Perri Lo† Derek Stanyer*† Stage Manager Theresa Tsang Assistant Stage Managers Marijka Asbeek Brusse Michelle Harrison Apprentice Stage Manager Caroline Tang SurTitle Editor and Operator Sarah Jane Pelzer * Artists from the Yulanda M. Faris Young Artists Program David Spencer Artist, supported by the David Spencer Endowment Encouragement Fund

February in Vancouver is the perfect time to get Così! We’re delighted to share the warmth of community as we settle into our seats to enjoy Mozart’s comic masterpiece, Così fan tutte, on the Queen Elizabeth Theatre stage for the first time in over 20 years. Since this production casts Così in a contemporary West Coast Canadian light, we've assembled an all-star, all-Canadian cast to make it truly shine. As the cynical Don Alfonso, we have a sure bet in bass-baritone Daniel Okulitch, last seen as Joseph De Rocher in 2017’s Dead Man Walking. Our Ferrando is Owen McCausland, last implicated in merry opera mischief as Alfred in 2024’s Die Fledermaus. Soprano Jamie Groote makes her Vancouver Opera debut as Fiordiligi, while in Alex Hetherington and Clarence Frazer as Dorabella and Guglielmo we welcome back two vibrant talents who balanced levity and gravity in last season’s Flight. Speaking of great heights, we’re over the moon to have the phenomenal Tracy Dahl returning for her first VO appearance since 1998. The Order of Canada recipient will make up for lost time as the chameleonic Despina, a maid who keeps the gears of deceit moving by disguising herself as both a doctor and a notary.  With its sophisticated ensemble writing and emotional depth, Così features some of the most beautiful music written by Mozart…or anyone else for that matter! As for its subject matter, that’s always a point of great debate, due in large part to the irony and ambiguity that Mozart and librettist Lorenzo Da Ponte lace through the comedic work. Rather than a tale of absolute right and wrong, Così fan tutte puts forward that human emotions are deeply sincere in the moment, but the moment has a way of changing (at a moment’s notice). In Così, desires and betrayals aren’t failures of character, but dynamic expressions of human nature. Let’s keep the discussion going, perhaps over a beverage in the lobby! We’ve just announced our blockbuster 2026–2027 season, filled with some of the world’s most enduringly popular operas. Puccini’s Tosca, Rossini’s The Barber of Seville, and Verdi’s La Traviata all rank in the top ten most-beloved operas of this decade, and we can’t wait to share them with you. But for now, let’s settle in for the hilarious, musically transcendent, conversation inspiring experience that is Mozart’s Così fan tutte! Tom Wright, General Director Krista Johanson, Board Chair

Notes from the Conductor and Director

Così fan tutte, which premiered in Vienna on January 26th, 1790 was the third and final collaboration between Mozart and librettist Lorenzo Da Ponte. The two had previously collaborated on Le Nozze Di Figaro in 1786 and Don Giovanni in 1787. In fact, the title "Così fan tutte” comes from a line sung by Don Basilio in “Le Nozze di Figaro” when he sings “così fan tutte le belle” assuming that the character Susanna is having a romantic dalliance with the young Cherubino. This trilogy of operas is among the greatest works ever composed and have established themselves firmly and permanently in the operatic canon. Of the three, Così has had the most problematic history due to its subject matter and misogynistic attitudes. Così was created just eight years after Pierre Coderlos de Laclos published Les Liaisons Dangereuses which created a scandal with its very liberal portrayal of sexuality and social behaviour. Both works share a very modern spirit of ironic self-awareness. Whatever one thinks of the plot and characters, there is no denying that the score Mozart created for them is a miracle of imagination, inspiration, and invention. The music is ripe with ensembles and is as rich in melodic and harmonic beauty as it is in contrasts between the lively exuberant comic passages and the beautiful tender intimate moments. For example, the piece opens with three lively trios between the male characters which are immediately contrasted with the appearance of the elegant and dignified sisters, Fiordiligi and Dorabella. The Trio: “Soave sia il vento” and the arias “Un aura amorosa” (sung by Ferrando) and “Per pietà” (sung by Fiordiligi) are perfect examples of music which is highly “romantic” in nature while maintaining a true “classical” structure. Composed at a time when operas were either of a tragic nature “opera seria” or of a comic nature “opera buffa”, Mozart and Da Ponte created a new genre in which the two co-exist in remarkable fashion. The brilliance of Mozart’s orchestration gives each number a fresh sound as the onstage antics fluctuate between the ridiculous and the sublime. Even when the characters are lying to each other or to themselves, the music always tells the truth and reveals the real intention of what is happening onstage. Inner conflicts are illuminated by changes of tonality or alternations between major and minor modes. Despite the many faults that the characters possess, Mozart embodies them with a deeply humanistic and sympathetic resonance. More than 230 years after its premiere, Così fan tutte is presented and performed by opera companies around the world. Under the work’s comedic facade, the fundamental truth remains that love is fragile and that we as humans experience conflicting emotions of love, jealousy, doubt, and fear. Fortunately, Mozart’s voice continues to speak to us from beyond the grave with a measure of comfort telling us that it will all be ok in the end.

In the spring of 2022, just as the world was beginning to recover, I got a phone call from Sheldon Johnson who is the production manager at Manitoba Opera. He told me the company was looking to do smaller operas with limited choruses as they eased back into live audience productions. He then asked me if I wanted to direct a new production of Così fan tutte and thus Canuck Così was born. He had painstakingly worked out many of the details and wanted someone to bring it all to life. Upon hearing him explain his vision I accepted immediately and so the journey began. His ideas were excellent and early on I could see the staging come to life in my head.  He referenced many things including the old-time movie Rosemarie and the National Film Board of Canada short The Log Driver's Waltz.  Our collaboration was a joy. Working on this production was a dream. When we were approached by Vancouver Opera we jumped at the chance and here we are! Now the opera itself is one of Mozart’s masterpieces brimming with music so beautiful that it takes your breath away and, in some cases, moves one to tears. His harmonies and the way he uses the voices are simply spectacular. His music helps guide a director’s hand at how to tell the story from a physical point of view. This is always a great indication of top-notch composition from any composer. The story itself is tricky. The fact that the women do fall in love with two other men a day or so after parting from their “True Loves” is a curious dilemma for sure, but this has been an age-old subject for many stories throughout the years. I cite Noel Coward’s movie Brief Encounter which deals directly with the dilemma of falling in love with someone while in another relationship. The pain of it, the inability to tell the heart what to do and what not to do. In fact, this is a very real thing. People fall in love with other people while married all the time. It’s whether or not you act on the drives that accompany those strong emotions. Furthermore, it is not only the women that fall in love, the men aren’t far behind. They too feel very strong, unexpected feelings of love and lust for these women. At some point they stop acting the role. And let’s not forget Despina’s role in all of it. She encourages the women to explore other men. A strong female character at the helm of it all. If I could, I would change the title to PEOPLE Are Like That. At the end of the day, one has to be true to the characters. Lorenzo Da Ponte has created six very complex, very playful and funny characters who are real people we can relate to. Of course, today there might be a few new surprises along the way. Enjoy the show!

Synopsis

The Story in Short

Two couples are put to the ultimate test of fidelity in a whirlwind of mistaken identities, tender moments, and mischievous tricks. The cynical Don Alfonso bets his young officer friends Ferrando and Guglielmo that their sweethearts, Fiordiligi and Dorabella, will betray them. The two men disguise themselves and attempt to seduce each other’s partner. After initial rebukes, Fiordiligi and Dorabella accept the advances of their new suitors and sign marriage contracts provided by Alfonso’s maid Despina, who is posing as a notary. Guglielmo and Ferrando reveal their deception, but all is ultimately forgiven as the group chalks it up to human nature.

Dorabella and her sister, Fiordiligi, are wealthy Italian tourists on a vacation in Canada. Having arrived at the port of Halifax, they board a train and travel across the country to their hotel. It is there that they meet two dashing Mounties, Ferrando and Guglielmo. In true operatic fashion, the two couples are immediately smitten and fall head over heels in love.

Don Alfonso, a gentleman philosopher, tells the two officers of his doubts in the fidelity of women. He offers them a wager: He will prove that their lovers will be unfaithful. The young men defend their sweethearts and accept the challenge. Meanwhile, Fiordiligi and Dorabella daydream about their lovers. Alfonso arrives and explains that the officers have been summoned to answer the “call of duty” and must depart immediately. After saying goodbye to their lovers, the girls are inconsolable. Despina, the hotel housekeeper, complains about how much work she must do. When the heartbroken sisters arrive, she encourages the girls to enjoy their freedom and find new lovers, but Fiordiligi and Dorabella cannot fathom such a betrayal. Don Alfonso convinces Despina to help him introduce the sisters to two “infatuated young friends” of his, who are in fact Guglielmo and Ferrando in disguise as waltzing Log Drivers. When the new suitors make advances toward the sisters, the girls are outraged and refuse to listen. The boys are confident of winning the bet. The young men pretend to take poison to gain the sisters’ sympathy. Despina and Alfonso go off to fetch help, leaving the two girls to care for the strangers. Despina reappears disguised as a 'doctor' and pretends to heal the boys. When Ferrando and Guglielmo request kisses in order to fully recover, the sisters again reject them, but it is clear that they’re beginning to show interest in the strangers.

Despina chastises Fiordiligi and Dorabella for not knowing how to deal with men. The sisters decide that Despina may be right—there can be no harm in amusing themselves with the handsome strangers. They each choose which man they would like, each picking the other’s boyfriend. On a moonlit walk, Dorabella responds quickly to the disguised Guglielmo’s advances. She accepts a gift and relinquishes her locket with Ferrando’s portrait. Fiordiligi, however, refuses to yield to Ferrando, although she admits to herself that she is torn between her officer and the handsome stranger. Ferrando is certain that they have won the wager. Guglielmo is happy to hear that Fiordiligi has been faithful to him, but when he shows his friend the locket which he took from Dorabella, Ferrando is furious. Fiordiligi condemns Dorabella for her betrayal and resolves to remain true to her officer. Ferrando suddenly appears and declares his love for Fiordiligi with renewed passion. While Guglielmo watches helplessly, she finally accepts. Guglielmo and Ferrando are distraught at their fiancées’ betrayal. Don Alfonso encourages the boys to forgive the women and marry them. After all, their behaviour is only human nature. The sisters have agreed to marry the young strangers, and Despina, impersonating a notary, does the honours. Alfonso suddenly announces that Guglielmo and Ferrando have returned from duty. In a panic, the sisters hide their intended husbands, who return as their real selves and are horrified to discover the marriage contracts. Finally, the boys reveal the entire charade, and Alfonso bids the lovers learn their lesson.

Cast

Owen McCausland, Tenor
Ferrando

Canadian tenor Owen McCausland is increasingly in demand for operatic and symphonic engagements across North America. Highlights of recent seasons include Robert Lepage’s production of Stravinsky’s The Nightingale and Other Fables with the Adelaide Festival, Strauss’ Die Fledermaus with Vancouver Opera, and an acclaimed return to the Canadian Opera Company as Tybalt in Gounod’s Roméo et Juliette, where he has also appeared as Descartes in Bilodeau’s La Reine-garçon, and Andres in Berg’s Wozzeck.

Clarence Frazer, Baritone
Guglielmo

Canadian Korean baritone Clarence Frazer has been hailed for his “full and powerful” baritone, and “unique musical performative power that demands a wider audience.” Recent and upcoming roles for Clarence include Vancouver Opera (Steward/Flight), Schaunard/La bohème with Manitoba Opera and Eugene Onegin (cover) with Canadian Opera Company. Clarence sang Morales in Carmen with the Macao International Music Festival, in a co-production by Opernhaus Zürich and Opéra Comique, Paris.

Daniel Okulitch, Bass-Baritone
Don Alfonso

Daniel Okulitch recently appeared as Shaklovity in Khovanshchina at Salzburg Osterfestspiele (McBurney/Salonen) and returned to The Protector in Benjamin’s Written on Skin at The Royal Danish Opera reprising his last season’s debut at Deutsche Oper Berlin. Elsewhere he made his house debut in La Reine-garçon at Canadian Opera Company and debuts a new production of The Death of Klinghoffer by Luca Guadagnino at Maggio Musicale and Billy Budd at Glyndebourne Festival Opera under Nicholas Carter.

Jamie Groote, Soprano
Fiordiligi

Praised for her rich sound and captivating stage presence, soprano Jamie Groote is creating a reputation for herself as a singer to watch. This season, Jamie makes a company debut with Vancouver Opera as Fiordiligi in Mozart’s Così fan tutte. Recently, she joined Paramount on Star Trek’s Starfleet Academy as the opera singing Diva, Manitoba Opera as Fiordiligi in Così fan tutte, and Edmonton Opera as Micaëla in Carmen. She also performed as Fancy Day in the World premiere of Under the Greenwood Tree (Dorset Opera Festival) a role written for her and is a graduate of the Canadian Opera Company’s Ensemble studio. Additional credits include Countess Almaviva (Le nozze di Figaro), Erste Dame and Pamina (Die Zauberflöte), La Ciesca (Schicchi), Flora (La Traviata), and Kate Pinkerton (Madama Butterfly).

Alex Hetherington, Mezzo-Soprano
Dorabella

Praised for her “wonderfully rich, warm sound” (Opera Canada), mezzo-soprano Alex Hetherington is a Canadian Opera Company Ensemble Studio graduate, where her credits include Siebel in Faust, Mercédès in Carmen, and Lapák in The Cunning Little Vixen. In 2025/26, she sings Stéphano in Roméo et Juliette with the Canadian Opera Company, Dorabella in Così fan tutte with Vancouver Opera, and appears in concerts with Les Violons du Roy, Boston Baroque, and the National Arts Centre Orchestra.   

Tracy Dahl, Soprano
Despina

Tracy Dahl C.M., Canadian coloratura soprano, continues to flourish in a career which now spans over 44 years. Having started in theatre and musical theatre and transitioning to opera, her diverse engagements in concert and opera have taken her to some of the world’s most famous stages including the Metropolitan Opera, Los Angeles Opera, San Francisco Opera, Teatro alla Scala, Le Châtelet in Paris, Sydney Opera House, the Hollywood Bowl, Santa Fe opera and all the major Canadian opera companies. Known initially for her comic roles—Adele in Die Fledermaus, Eurydice in Orpheus in the Underworld, Norina in Don Pasquale, and Olympia in Les Contes d’Hoffman—more signature roles were to come in the lyric repertoire: Marie in La Fille du Régiment, Gilda in Rigoletto and Lucia in Lucia di Lammermoor, Madame Mao in Nixon in China and, her most frequently performed role, Zerbinetta in Ariadne of Naxos. She performed in the world premieres of The Ghosts of Versailles at the Metropolitan Opera, The Golden Ticket for Opera Theatre of St Louis and Child Alice by David Del Tredici at Carnegie Hall. In concert, she has performed works by Adams, Bach, Barber, Brahms, Bernstein, Britten, De Tredici, Finzi, Handel, Mahler, Mozart, Orff, Poulenc, J. Strauss and R. Strauss, and has sung recitals in Europe, the United States, and Canada. Recordings for the Naxos label include Madame Mao in Nixon from China and, for the CBC, Juno-nominated Glitter and Be Gay, Rhymes and Rêveries, and the Millennium Opera Gala.  Ms. Dahl has been a voice teacher at the University of Manitoba since 1997, and for young artists’ programs across Canada and the United States. In 2017, she was awarded the Order of Canada for her work as an artist and as a mentor/teacher. Recent performances include a New Year’s Eve concert with Pacific Opera Victoria, a recital of Hugo Wolf’s complete Italienischebuche Lieder, and a role debut as Morgana in Alcina. This coming season she will make her debut as Iöle in Handel’s Hercules and will reprise her role as Despina in the Canadian Opera Company Atom Egoyan production of Cosi fan tutte.

Daniel Curalli
Larry, the Bartender

Selected credits: Made In Italy, Beautiful, Guys and Dolls, Frozen (Arts Club); Oliver (Gateway); Grease (Western Canada Theatre); Charlie and the Chocolate Factory (CTORA); Snow White (Metro Theatre); Shrek, Annie, Seussical (Align Entertainment); Hairspray, Mary Poppins, Cinderella, Newsies, Something Rotten (Theatre Under The Stars). Daniel is a graduate of UBC’s BFA program. Love to Mom, Dad, Sophia and Thomas, Grace, Family and Friends. To God be the Glory. IT’S SHOWTIME! www.danielcuralli.com

Tina Chang
Trixie, the Pianist & Principal Répétiteur

Described as a “scintillating player,” pianist, and coach, Tina Chang is currently on the music staff at Vancouver Opera. She has been involved with Wexford Festival Opera in Ireland and soundSCAPE New Music Festival in Italy. Locally, she works with Chor Leoni and the Arts Club. She maintains her own private studio and has been on the adjunct faculty of both UBC and Dalhousie University. Other hobbies include hiking and eating chocolate. To find out more about Tina, visit www.TinaChangPiano.ca

Lyndon Ladeur, Tenor
Ferrando Understudy

Lyndon Ladeur’s favourite performances to date include Don Ottavio in Mozart’s Don Giovanni and Nemorino in Donizetti’s L’elisir d’amore. He competed at the International Gilbert and Sullivan Festival playing Marco in The Gondoliers where he won the award for Best Male Vocalist. Lyndon completed his Masters of Music in Opera in 2024 at the University of Toronto. He studies with the Canadian Opera Company’s Head Vocal Consultant, Wendy Nielsen.  * 2025-2026 Yulanda M. Faris Young Artists Program Participant † David Spencer Artist, supported by the David Spencer Endowment Encouragement Fund

Mihnea Nitu, Baritone
Guglielmo Understudy

Praised for his "booming and robust vocals" (Opera Canada), Romanian-Canadian baritone, Mihnea Nitu is a rising operatic talent. Recent roles include the title role in Judith Weir's Blond Eckbert with Opera McGill and the Father in Hansel and Gretel with Manitoba Underground Opera, as well as workshops of contemporary works at the Banff Centre. * 2025-2026 Yulanda M. Faris Young Artists Program Participant

Marianne Bertrand, Mezzo-Soprano
Dorabella Understudy

Quebec mezzo-soprano Marianne Bertrand is praised for her “very pretty mezzo voice” and dramatic talent (Revue l’Opéra). She joins Vancouver Opera’s Young Artist Program in 2025–2026. She has performed roles such as Hänsel, Dido, Laetitia, Croûte-au-pot, Orlofsky, and Prince Charmant in Canada and Germany, and was a national laureate of the Canadian Federation of Music Teachers' Associations competition.  * 2025-2026 Yulanda M. Faris Young Artists Program Participant

Julia LoRusso, Soprano
Despina Understudy

Julia LoRusso is a Canadian soprano known for her vocal agility and sweet tone. Recently performed roles include Despina (Così fan tutte), Nannetta (Falstaff), Morgana (Alcina) and Miss Wordsworth (Albert Herring). She won the Encouragement Award in the 2025 Met Opera Laffont Competition and third place in the 2024 Toronto Mozart Vocal Competition. Julia holds a Master of Music degree from Western University in her hometown of London, Ontario.  * 2025-2026 Yulanda M. Faris Young Artists Program Participant

Ariane Cossette, Soprano
Fiordiligi Remote Cover

Canadian soprano Ariane Cossette is a graduate of the Canadian Opera Company’s Ensemble Studio and a 2025 laureate of the Jeunes Ambassadeurs Lyriques. Her recent roles at the COC include Marguerite (Faust), Norina (Don Pasquale), and Frasquita (Carmen). A recipient of several grants and awards, she has performed in Canada, United States, Germany, and France. In 2025, she joined the Merola Opera Program in San Francisco and competed in the Concours musical international de Montréal.

Creative Team

Leslie Dala
Conductor

Conductor and pianist, Leslie Dala enjoys a multifaceted career spanning the genres of opera, symphonic music, choral and contemporary works. He recently conducted Vancouver Opera's productions of Jonathan Dove’s Flight, Carmen, The Flying Dutchman, Bach’s St. John Passion, Beethoven’s Missa Solemnis, and Benjamin Britten’s War Requiem, with the Vancouver Bach Choir and Mozart’s Coronation Mass at Carnegie Hall.

Robert Herriot
Stage Director

Canadian stage director Rob Herriot’s career has taken him to opera companies across North America.  He has directed productions of Così fan tutte, Cenerentola, Madama Butterfly, Lucia di Lammermoor, La Bohème, Carmen, Rigoletto and Don Pasquale  (Manitoba Opera), Così fan tutte (Opera Kelowna), Three Decembers, The Magic Flute, At the Statue of Venus, A Tall Order and The Walk From the Garden (Little Opera Company). He was very fortunate to meet American soprano Erie Mills, Artistic Director of Livermore Valley Opera, in the San Francisco Bay Area. He has been invited to direct four productions with LVO, Don Giovanni, Elixir of Love, Barber of Seville, and Don Pasquale and will return there this February to direct Così fan tutte.  He has been an instructor/director for Opera Nuova, Canada’s leading young artist summer program. As a teacher and mentor, he has directed productions of The Barber of Seville, Tuck Everlasting, The Fairy Queen, Tartuffe, Beatrice and Benedict, Don Giovanni, Oklahoma, La Bohème, and Patience. This past summer he directed Hansel and Gretel and Così fan tutte for No Strings Theatre in Toronto and will return to them this coming summer. Virtual productions include: I Need Opera and Dance for The Little Opera Company, writer and director for the 3-episode series All Those Arias for Little Opera Company and the Manitoba Opera as well as writer and director for the Manitoba Opera’s 6-part series Opera School. Rob is thrilled to be debuting with Vancouver Opera on this production of Così fan tutte.

Sheldon Johnson
Production Conceived + Set Design

Sheldon Johnson conceived and designed this production of Così fan tutte for Manitoba Opera in 2023 and shall be forever grateful to the nice folks at Vancouver Opera for the opportunity to remount the production here. Previous main stage designs for Manitoba Opera include Rossini’s La Cenerentola and Beethoven’s Fidelio. Other design credits include Little Women and The Bridges of Madison County (Dry Cold Productions), and fourteen productions for the Gilbert & Sullivan Society of Winnipeg.

Donnie Tejani
Costume Designer

Donnie has established himself in Vancouver as a dresser, wig stylist and Jessie and Ovation Award winning costume designer. After years of learning tricks from the 'front lines' backstage, he shifted focus to design. He satisfies cravings for work behind the scenes touring internationally as the Wardrobe Supervisor for Kidd Pivot. Donnie’s work can also be seen on screen on the runways of series’ such as RuPaul’s Drag Race and Drag Race Canada. Upcoming: The Little Mermaid (TUTS) @donnietejani

Jamie Sweeney
Lighting Designer

Jamie Sweeney is a Canadian, Vancouver-based theatre collaborator. She is a lighting designer, a production manager, a performer, a deviser, a creator, and an artist. She has a BFA in theatre production and design from Simon Fraser University. Some companies she has worked with include Ballet BC, Bard on the Beach, Vancouver Opera, Arts Club, Rice & Beans Theatre, vAct, and Neworld Theatre.

Lisa Goebel
Intimacy Director

Select credits: choreographer/intimacy director for Bright Star (GTP/Mirvish), The Dark Lady (Bard on the Beach), A Doll’s House (Arts Club), and Pride & Prejudice (Western Canada/Gateway). Intimacy direction for Vancouver Opera: Die Fledermaus, Flight, Madama Butterfly, Rigoletto. Lisa is a certified intimacy director through Intimacy Directors and Coordinators and is a graduate of Studio 58.

Tayte Mitchell
Assistant Director & Intimacy Captain

Hailing from Vulcan, AB, stage director and tenor Tayte Mitchell most recently launched Ammolite Opera as its founding Artistic Director. He is an alumnus of the McPhee Artist Program with Calgary Opera, the Music Academy of the West, and the Wolf Trap Opera Studio. Tayte holds degrees from the Oberlin Conservatory of Music and the Cincinnati College Conservatory of Music. * 2025-26 Yulanda M. Faris Young Artists Program Participant

Theresa Tsang
Stage Manager
Theresa Tsang

In her 30 seasons with Vancouver Opera’s Stage Management Department, Theresa Tsang has worked on nearly 100 productions for VO. She also stage manages for Wexford Festival Opera, Highlands Opera Studio, and Garsington Opera earning acclaim for The Turn of the Screw and Silent Night. A UBC graduate, she is lauded internationally and received recognition from the Stage Management Association in London.

Marijka Asbeek Brusse
Assistant Stage Manager

Marijka has enjoyed working on dozens of Vancouver Opera productions over the past 15 years, as well as at Pacific Opera Victoria, Touchstone Theatre, The Arts Club, Canadian Stage, The Belfry Theatre, and as a Faculty stage manager at the Banff Centre’s Opera program in 2019. Marijka has a BFA from UBC Theatre Production & Design, where she also taught stage management for seven seasons.

Michelle Harrison
Assistant Stage Manager
Michelle Harrison

Michelle has worked in stage management for over a decade. Career highlights include Stage Manager for Rigoletto (Vancouver Opera), Waitress (Arts Club), Die Fledermaus (Vancouver Opera), Little Shop of Horrors (Arts Club/Citadel), and ASM for Kinky Boots (Arts Club), Flight (Vancouver Opera), A Christmas Carol (Theatre Calgary), and the Jessie Award winning production of Whose Life Is It Anyway? (Realwheels). She is a graduate of UBC. 

Caroline Tang
Apprentice Stage Manager

Caroline 曉鳳 Tang is grateful for her mentors, loved ones, UBC Opera for introducing her to the world of opera, and Vancouver Opera for the opportunity to learn even more! Select stage management credits include: Tosca, Hansel and Gretel, Shadow Catch, Le Nozze di Figaro (UBC Opera), Chinatown (City Opera Vancouver), Much Ado About Nothing, The Two Gentlemen of Verona (Bard on the Beach), Someone Like You – On Tour (Arts Club Theatre Company), East Van Panto: West Van Story (Theatre Replacement).

Gillian Hanemayer
Assistant Lighting Designer

Gillian is a lighting designer based on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh first nations. Her recent credits include: Choreographic Series 2025 (EDAM), Rosa (Ballet BC), Once (Ballet BC), Dead as a Dodo (Associate Lighting Design, Wakka Wakka Productions), BOLT (Jeanette Kotowich). Gillian holds a BFA from the School for the Contemporary Arts at Simon Fraser University.

Perri Lo
Répétiteur

Perri Lo is a pianist and vocal coach working in opera, chamber music, and dance.  She has worked with companies across Canada and locally, including Vancouver Opera, Pacific Opera Victoria, City Opera Vancouver, Re:N Opera and Opera Kelowna.  In addition to performing as a recitalist, Perri is a company pianist with Ballet BC and Arts Umbrella Dance.  She performed in New York City with Ballet BC at the Fall for Dance Festival 2025. † David Spencer Artist, supported by the David Spencer Endowment Encouragement Fund

Derek Stanyer
Répétiteur

Dr. Stanyer has worked as a pianist/coach with UBC Opera since 2019, and as an Adjunct Professor in 2023. He has recently performed both opera and art song with the Vancouver Fringe Festival, Vancouver Opera, Opera Unbound, COC, York Place Concerts, and many others. His doctoral research (and passion!) relates to the art songs of Nikolai Medtner, which had previously been a largely ignored part of the art song repertoire.  * 2025-26 Yulanda M. Faris Young Artists Program Participant † David Spencer Artist, supported by the David Spencer Endowment Encouragement Fund

Sarah Jane Pelzer
SurTitle™ Editor and Operator

Sarah Jane Pelzer is a stage director and surtitlist based in Vancouver, BC. She has directed, assisted, and taught across Canada and the US at Vancouver, Edmonton, and Manitoba Opera, Opera on the Avalon, Opera Kelowna, Wolf Trap, and the New England Conservatory. Sarah is the co-founder of Lucky Penny Opera, a company dedicated to exploring alternative models for creating opera performances.

Orchestra, Chorus, and Production

FLUTES Brenda Fedoruk, Principal Anne-Elise Keefer  OBOES Emma Ringrose, Principal Erin Marks CLARINETS Christopher Lee, Principal AK Coope BASSOONS  Ingrid Chiang, Principal Allan Thorpe HORNS Laurel Spencer, Principal Nick Anderson TRUMPETS Katherine Evans, Principal Nikolaj Hansen TIMPANI Phillip Crewe, Principal VIOLIN I Rebecca Ruthven, Concertmaster Angela Cavadas, Associate Concertmaster Lawrie Hill, Acting Assistant Concertmaster Toni Stanick Evelyn Creaser-Rumley Julia Lim Ken Lin Ji In Kim VIOLIN II Andrea Siradze, Acting Principal 2nd Joyce Lee, Acting Assistant Principal 2nd Heilwig von Koenigsloew Ellen Farrugia Rick Dorfer Adrianne Stride VIOLAS Tawnya Popoff, Principal Isabelle Roland, Assistant Principal Marie-Claude Brunet Reginald Quiring CELLOS Rebecca Wenham, Principal Heather Hay, Assistant Principal Susan Round Jake Klinkenborg BASSES Maggie Hasspacher Reitman, Principal Michael Vaughan, Assistant Principal CONTINUO Tina Chang Orchestra Manager Nick Anderson Deputy Orchestra Stage Manager Ingrid Chiang Deputy Orchestra Librarian Micheal Vaughan

SOPRANO Eve-Lyn de la Haye Heather Pawsey Szu-Wen Wang Karen Ydenberg MEZZO SOPRANO Martina Govednik Heather Molloy Elena Razlog Dionne Sellinger TENOR Brent MacKenzie William Grossman Wade Nott Callum Alden BASS/BARITONE Angus Bell Henry Chen Jason Cook Willy Miles-Grenzberg † David Spencer Artist, supported by the David Spencer Endowment Encouragement Fund

Director of Artistic & Production Nicole Lamb Company Manager Kewen Huang Technical Director Milk Chan Production Assistant Jimena Pacheco Head of Wardrobe Florence Barrett Head of Properties & Assistant Scenic Carpenter Stephen Field Elgar Head Scenic Carpenter Vince Folgizan Head Scenic Painter Omanie Elias Welder Phil Piper Assistant Wardrobe Oriana Camporese Lily Yuen Assistant Properties Jesse Orr Cutter Victoria Klippenstein Stitchers Jayme Cline Sarah Marchant Darryl Milot Capilano University Practicum Student Paulina Vázquez Hernández SHOW CREW Production Carpenter Dale Baratelli Assistant Carpenter Richard Gould Grip Carpenter Vince Folgizan Production Electrician Mike Bowen Assistant Electrician John Webber Followspots John Allan David Raun Production Video Chantele Fry Head Props Carlos Avila Assistant Props Phil Schulze Head Wardrobe Lily Yuen Assistant Wardrobe Carolyn Reemeyer Dresser Alanna Baker Production Hair & Wigs Donnie Tejani Production Hair & Wigs (Feb 2-5) Sean Malmas Head Hair & Wigs Andie Mei Fong Ho Production Makeup Saghar Bazargan Head Makeup Christopher Wu Civic Crew Elizabeth Campbell Derall Dunlop Scott Ellis David Page Vaughan Pease THANK YOUS Manitoba Opera

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Anonymous (1) Andrew & Julia Sung Foundation Barbara Armstrong Nadine Bandali Mrs. Marianne Brockmann Ms. Joan Cosar Dr. and Mrs. Keith G. Dawson Mark DuMont Mr. Paul Esposito Mrs. Rosemary Mallory Dr. Lana Foree Rachel Goetz Laura Groos & Gerry Prins Diana Lam Heidi Luking Anne Mackintosh Linda & Larry Marshik Robert Bruce McKimm Steve McKoen Moonen & Miller Family Fund Tsuneo Nakano Mr. Bernard Olfman Mr. Walter R. Pela The Rascal Foundation Kitten Roberts Mr. Shane Taylor Gina Thorstenson & Bob Bartholomew Mr. Denis Walker Miss June Witty Mr. Gary Young

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Davey Dr. H. Tony David Tony David Mr. John A. Davies Michael and Sandra Davies Daniela Davila Morales Maggi Davis Dr. Vera Davis Olivander Day Dr. Olivia Monique V. De Chert Mr. Vincent De Guzman Mark G. De Silva Charlotte J. Debruyn Fiona Ross Charles Demers Nancy Deshaw Mr. Tom Detlor Mr. Jason Devine Ms. Audrey Dewan Ms. Anne Dewar Mr. Michael J. Dezell Miss Nimar Dhaliwal Alejandro Diaz Frances Dickson Mrs. Susan Diewold Kapka Djarova Danica Djurkovic Margo Dobbin Mr. Michael Dobko Mr. Georffrey Dodds Teresa Dong Ms. Tom Dorn Miss Teodora Dotzeva Craig Douglas Janice M. Douglas Ms. Shirley Dreja Ms. Lauren N. Dreyfus Mrs. Elizabeth Dropko Geoffrey Druker Tanya Dubicheva In memory of Barb Brown Mr. Neil Dumont Ms. Margaret Duncan Richard Duncan Mrs. Jannette Dunlop Lindsay Dunn Richard Dunn Edward Dunnett Damla Durhan Rachael E. Durie Ms. Laureen Dwulit Ms. Anne Earthy Drs. 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Wilson Mrs. Laura Wilson Ms. Tessa Wilson Mr. Olaf Wirsching Udo Wirsching Miss Alison Wong Fei Wong John and Mia Wong Miss rebecca wong Ms. Maeve Woods Lois and Peter Woolley Michael A. Woolnough Mr. C Wouda Ms. Rosemary Wray Don & Eileen Wright Edd Wright Hanzhang Wu James Wu Zhijian Wu Tianbeiye Xia Jane Xu Miss Joyce Xu Zita Xu Mrs. NOBUKO YABE Ms. Alfie Yang Ms. Elizabeth Yip Esther Yip Henry Yip Edward Yu Ms. Yolk Kin May Yu Yulia Yukhadi Mr. & Mrs. K. J. Yule Mr. Gordon Yusko Miss Valentina Zambrano Tadi Zamljen Mrs. Veena Zbar Mr. Robert Zeglinski Mr. Haoran A. Zhang Ling Zhang Mrs. Xiao Zhang dicun zhao Danni Zheng Ms. Olga Zherdeva Haiyan Zhou Bing Zhu Miss Ronnie Zhu Dominika Ziemczonek Ms. Jana Zimmerhakl Mrs. Bahar Ziraknejad Dr. David Mark Zloty Mrs. Iana Zvereva Mr. Jeff Zweig ‡ Denotes donation to Vancouver Opera Foundation

BC Arts Council Government of British Columbia Canada Council for the Arts City of Vancouver Creative BC Department of Canadian Heritage Ministry of Tourism, Arts and Culture Vancouver Civic Theatres

Amica Anthem Properties Group Blakes BLG BMO Financial Group CIBC Wood Gundy Deloitte Edge Catering IG Wealth Management Imperial Metals Montecristo Jewellers PH&N Investment Counsel Inc. TD Bank Opera America Osler Vancouver Opera Guild

Anonymous (1) Andrew Mahon Foundation Ann Claire Angus Fund, held at Vancouver Foundation Chris Spencer Foundation Christopher Foundation The David Spencer Endowment Encouragement Fund Diamond Foundation D&V Horswill Family Foundation, held at Vancouver Foundation George W. Norgan Fund, held at Vancouver Foundation Freybe Foundation Joan C McCarter Foundation held at Victoria Foundation The Langara Foundation Lightburn Family Fund, held at Vancouver Foundation M.A. Faris Foundation Martha Lou Henley Charitable Foundation Mirhady Family Fund, held at Vancouver Foundation Taylor Taliesin Foundation The Hannah Woodnutt Smith Memorial Fund, held at Vancouver Foundation Vancouver Foundation Vancouver Opera Association Endowment Fund Vancouver Opera Foundation

Season Sponsor Montecristo Jewellers Season Patrons Alan and Gwendoline Pyatt Foundation Michael And Inna O'Brian Family Foundation Yoshiko Karasawa Martha Lou Henley, C.M.* Così fan tutte Production Sponsor Vancouver Opera Guild Matinee Season Sponsor Amica VOICES Free Concert Series Sponsor TD Multilingual Communications Sponsor IG Wealth Management Media Sponsor Stir

Board and Staff

Chair Krista Johanson Vice Chair Stanis Smith Secretary Jennifer Choi Past Chair Susan Van der Flier Reda Akladios Amanda Burrows Shaun Dolman Joshua Hutchinson Sameer Jamal Kevin Kelly Kirk LaPointe Pierre Lebel Ivor Luk Emily MacKinnon Allie Meeres Richard Rees Chloe Sauder Isabelle Spothelfer Carol Tsuyuki Wilson Williams Yang Wang

Chair Richard Rees Treasurer and Secretary Jim MacCallum Geoff Dodds Yuri Fulmer Emily MacKinnon Kevin Mah Jennifer Muench Susan Van der Flier

General Director Tom Wright Music Director Jacques Lacombe Music Director Emeritus Jonathan Darlington Director of Marketing Jonathan Harrison Director of Development Kayleigh Harrison Director of Artistic & Production Nicole Lamb Director of Finance and Administration William Murgatroyd Director of Engagement and Civic Practice Ashley Daniel Foot ARTISTIC PLANNING Company Manager Kewen Huang Head of Music Leslie Dala Coach/Répétiteur Tina Chang Preparatory Librarian Connie Goetz PRODUCTION Technical Director Milk Chan Production Assistant Jimena Pacheco Head of Properties Stephen Field Elgar Head of Wardrobe Florence Barrett Capilano University Practicum Student Paulina Vázquez Hernández DEVELOPMENT Senior Manager, Major Gifts & Events Bella Best Manager, Grants & Sponsorships Xin Xuan Song Executive Associate, Development Nainy Sharma FINANCE AND ADMINISTRATION Accounting and Payroll Manager Sonny Sohn Facilities Manager Mack McGillivray MARKETING Creative Director Annie Mack Associate Director of Marketing Keltie Laidlaw Database and Ticket Centre Manager Tracey Flattes Ticket Centre Associate Charlene Hibbard Social Media Specialist Lucas Bertoli Senior Communications Advisor Stephen Lyons Publicist Cynnamon Schreinert Program Ad Sales Jennifer Lee ENGAGEMENT AND CIVIC PRACTICE Writing/Research Jane Potter Multimedia Producer Mack McGillivray Engagement/Musicology Curator Nicholas Burns YULANDA M. FARIS YOUNG ARTISTS PROGRAM Program Director Leslie Dala Coach Tina Chang Julia LoRusso, Soprano Marianne Bertrand, Mezzo-Soprano Lyndon Ladeur, Tenor Mihnea Nitu, Baritone Tayte Mitchell, Stage Director Derek Stanyer, Pianist

Vancouver Opera is a professional company. It operates under the jurisdiction of Canadian Actors’ Equity Association, Vancouver Musicians’ Association, and IATSE 118, and is a member of OPERA America and The Association for Opera in Canada.