Tosca
Opera in 3 Acts
Composed by Giacomo Puccini Libretto by Luigi Illica and Giuseppe Giacosa Premiered January 14, 1900 at the Teatro Costanzi in Rome, Italy With the Vancouver Opera Orchestra, the Vancouver Opera Chorus, and the Vancouver Opera Children’s Chorus Sung in Italian with English SurTitles™ Approximately 2 hours 20 minutes, including one 25-minute intermission Costumes supplied by the Canadian Opera Company, designed by Kevin Knight This production of Tosca is a Co-Production of Pacific Opera Victoria and Vancouver Opera. Props were built by members of IATSE 168 and IATSE 118. The set was built by Pacific Opera Victoria by members of IATSE 168.
CREATIVE TEAM Conductor Jacques Lacombe Stage Director Brenna Corner Associate Director Amanda Testini Assistant Director Michal Aloni* Set & Projection Designer Scott Reid Lighting Designer Michael Walton Costume Designer Kevin Knight Assistant Lighting Designer Jamie Sweeney Fight & Intimacy Director Geoff Malcolm
Assistant Conductor Eve Legault ‡ Chorus Director, Children’s Chorus Director, Principal Répétiteur Tina Chang Répétiteurs Angus Kellett Cecilia NguyenTran*† Stage Manager & Intimacy Captain Emma Hammond Assistant Stage Manager & Fight Captain Lester Lee Assistant Stage Manager Rebecca Mulvihill Apprentice Stage Manager Claire Thornton SurTitles™ Creator and Operator Sarah Jane Pelzer * Artists from the Yulanda M. Faris Young Artists Program † David Spencer Artist, supported by the David Spencer Endowment Encouragement Fund ‡ Appears courtesy of Tapestry Opera’s Women in Musical Leadership Program
CAST Floria Tosca Joyce El-Khoury Mario Cavaradossi David Pomeroy† Baron Scarpia Gregory Dahl Cesare Angelotti Neil Craighead Sacristan Peter Monaghan
Spoletta Callum Alden*† Sciarrone Mihnea Nitu*† Jailer Willy Miles-Grenzberg Shepherd Boy Lucia Liberato (October 24) Mana Nakamura (October 29) Fanya Gross (November 1) * Artists from the Yulanda M. Faris Young Artists Program † David Spencer Artist, supported by the David Spencer Endowment Encouragement Fund
Welcome
A Message from the General Director and Board Chair
Our 2026–2027 season features three of the most popular operas ever written: a thriller, a comedy, and a romantic drama, by three of the most popular composers of all time. We’re excited to launch our season with Tosca, in which a fiery prima donna, a revolutionary artist, and a ruthless police chief are trapped in a deadly web of lust, torture, and betrayal. It has vivid and propulsive music that grabs you by the throat from the very first notes, interspersed with glorious arias and duets that are among the most famous in opera. This Tosca is a new production in partnership with our colleagues at Pacific Opera Victoria. Music Director Jacques Lacombe will lead our chorus and orchestra, and soprano Joyce El-Khoury, who has received widespread acclaim for her dramatic intensity and commanding stage presence, will perform the title role. Other key performers include Gregory Dahl as Scarpia, one of opera’s most infamous villains, and David Pomeroy as Mario Cavaradossi, Tosca’s lover. This production will also showcase six of our rising stars, all of whom have been mentored and supported by the Yulanda M. Faris Young Artist Program. Brenna Corner is the Director, Amanda Testini is the Associate Director, Michal Aloni is the Assistant Director, and the cast features Callum Alden as Spoletta and Mihnea Nitu as Sciarrone. Cecilia NguyenTran has supported the cast as répétiteur during rehearsals. From mainstage spectacles to our Young Artist program to our education and community outreach initiatives, nothing we do at Vancouver Opera happens without your support. Whether you’re a donor, a season ticket holder, or someone experiencing the magic of opera for the first time, we appreciate you and are glad to share exceptional opera experiences with you. Tickets for the rest of the 2026–2027 season are on sale now. We will follow Tosca with Rossini’s delightfully comic The Barber of Seville in February, and will close our season with Verdi’s poignant masterwork La Traviata in April and May. We hope that you enjoy our thrilling, chilling Tosca! Tom Wright, General Director Stanis Smith, Board Chair

Notes from the Conductor and Director
Notes from the Conductor | Jacques Lacombe
As I’m writing my notes about Tosca, the question that comes to my mind is: Why do I love Puccini’s music so much? I guess that, just like in personal relationships: it’s impossible to give a complete answer to such a question, and perhaps it’s better that way, as it keeps a certain level of mystery to our feelings. But, having said that, I’ll take the chance of exploring some potential explanations for my love of Puccini’s Music. If, for a minute, you forgive me for being a bit personal, I must confess that I’m an incurable romantic…Tosca is the first opera I’ve ever learned and since the first day I’ve opened that score, it has always had a special place in my heart. In addition to that, it is with a Puccini opera, La Fanciulla del West that I’ve made my debut with Vancouver Opera, developing a very special relationship with this unique organization. For me, this was the beginning of a very precious and stimulating collaboration with the company, which I now have the honour to serve as Music Director. I could not have wished for a better way to start my relationship with Vancouver than by conducting Puccini. Going back to my love of Puccini’s music, one of the many reasons why I love this music so much is probably his unique talent to put in music stories that moves us so deeply in a direct way. In my opinion, that’s one of the reasons why his operas are so popular. The way Puccini communicates with his audience goes beyond the knowledge of the language and the codes of the “opera”. I sincerely believe that people who know nothing about music, who don’t know the Italian language nor the stories that inspired the Italian maestro from Lucca still “get it”. This element is fascinating to me as it talks about the power of art. That power is exactly what inspired Puccini to put into music this play written by the French author, Victorien Sardou. It’s after seeing the great Sarah Bernhardt, for whom the play was written, performing the play in French, a language that Puccini didn’t speak, that he was convinced to put this play into music. That tells a lot about the unique talent of this actress. And it does tell a lot about the talent of Puccini to reach such a vast audience. I think that Puccini is one of the best composers to put in music in a very personal and unique way, the complexity of human emotions and nature. Puccini had a great sense for theatre and drama, combined with an obvious and outstanding musical talent. He defined himself as a theatre-man. He once wrote: “I see the characters, the colours and the gestures of the characters. If, alone at home, I can’t see a scene in front of me, I don’t write, I cannot write a single note”. Hopefully, we’ll be able to give life to the vision that Puccini had for his Tosca and move you listening and watching one of the greatest operas ever written…
Notes from the Director | Brenna Corner
One of the most remarkable aspects of the opera canon is its ability to resonate deeply in our modern world. Whether experiencing the bohemian romance of Paris or Tosca's politically volatile Rome, these stories reflect enduring truths about the human condition; whether for good or bad. This flexibility is what makes them so enduring: we can reinterpret the same story, highlight different thematic elements, and still remain entirely faithful to the music, the characters, and the original narrative. In Puccini's Tosca, we enter a world of political machinations and corruption. A world where the ideas of truth and freedom are heavily controlled and manipulated. This work is far more than a period piece; it is a story of political oppression, speaking truth to power, and the vital role art plays in that struggle. All of which sadly continue to have resonance in our modern world. At the same time, it is the deeply intimate story of a young woman navigating a corrupt world for the sake of love, pushing herself to unimaginable lengths. Despite its rich layers, the core of our production uses this Italian masterpiece to hold a mirror to our own fractured reality. The political turmoil consuming Rome—suffocating surveillance, abuse of power, and the crushing of dissent—echoes the challenges we navigate today. In this production, the stakes are visceral and immediate. Yet, amidst the brutality of Scarpia’s regime, the heart of the opera remains a profound testament to the human spirit. Floria Tosca and Mario Cavaradossi remind us that in times of instability, love and sacrifice are not merely romantic ideals, but radical acts of defiance. Their devotion serves as the ultimate resistance against tyranny. Ultimately, while the shadows of oppression loom large, the only thing that will endure indefinitely is the light of truth, and art. This is a story for now—urgent, raw, and resonant.
Synopsis
THE STORY IN SHORT
Rome, 1800. Angelotti, an escaped political prisoner, takes refuge in a church where Cavaradossi is painting a portrait. Tosca arrives and is jealous because the portrait resembles another woman. Cavaradossi denies infidelity, before leaving with Angelotti. Head of police Baron Scarpia leverages Tosca’s jealousy and follows her to Cavaradossi’s villa. Scarpia tortures Cavaradossi. To save her lover, Tosca reveals Angelotti’s hiding place, and Angelotti commits suicide. Scarpia orders Cavaradossi’s death, but agrees to give a letter of safe passage and stage the execution if Tosca sleeps with him. After the letter is signed, Tosca kills Scarpia. She joyfully tells Cavaradossi of the fake execution plan, but Scarpia has tricked Tosca. The bullets are real, and with Cavaradossi dead, Tosca throws herself off the building.
Full Synopsis
Act I
The church of Sant’ Andrea della Valle Cesare Angelotti, an escaped political prisoner and ex-consul of Rome, enters the church furtively. He lets himself into the Attavanti Chapel after finding a key that his sister has hidden for him. The artist Mario Cavaradossi enters to resume work on his portrait of Mary Magdalene, whose face is that of a blue-eyed, golden-haired woman often seen praying in the church. Although he admires the beauty of his model, he thinks only of his true love, the darkhaired, dark-eyed singer Floria Tosca. Angelotti tries to sneak away but recognizes his friend Cavaradossi who, hearing Tosca’s voice outside, gives him a basket of food and forces him back into the chapel to hide. Tosca enters, and having heard voices, is suspicious of her love and accuses her lover of entertaining a woman when he should be working. Mario assuages her fears and agrees to meet her later that night at his villa near the edge of the city. When she has gone, Cavaradossi offers his villa to Angelotti as a hideout, and the two men flee together. Baron Scarpia, the head of judicial and religious enforcement (and police) arrives with his henchmen, in search of Angelotti. They quickly discover clues that connect Cavaradossi to the woman in the painting, who is really Angelotti’s sister. Tosca leaves, focused on finding Cavaradossi who she believes is being unfaithful to her at his villa, not realizing that she has been tricked and is leading Scarpia’s agents directly to her lover.
Act II
Scarpia’s offices in the Palazzo Farnese Having followed Tosca to Cavaradossi’s villa, Baron Scarpia has the painter secretly arrested for sheltering Angelotti (still hidden within the villa). Cavarodossi is brought before Scarpia for interrogation but is led to the torture chamber when he refuses to reveal Angelotti’s whereabouts. Tosca arrives, and Scarpia questions her as Cavaradossi’s cries of agony are heard in the adjoining room. Though Cavaradossi implores her to keep silent, Tosca agrees to reveal Angelotti’s hiding place if her lover is freed. Cavaradossi, angered by Tosca’s betrayal of his friend, openly defies Scarpia, who orders his execution. As news arrives of Angelotti’s discovery and subsequent suicide, Tosca begs for her lover’s life. Scarpia names his price: her submission to his lecherous advances. Desperate, she agrees so long as Scarpia writes a letter of safe conduct for herself and Cavaradossi. Scarpia insists that there must be at least a mock execution and arranges the details with his aide that this execution will take place as they did when they “shot” Count Palmieri. Alone with Tosca, Scarpia advances amorously towards her. She stabs him with a knife she has found, takes the safe conduct pass, and rushes out to free Cavaradossi.
Act III
The Battlements of the Castel Sant’ Angelo As dawn approaches, Cavaradossi arrives at the prison of Castel Sant’ Angelo to be executed by firing squad. He sings of his love for Tosca, a love which has finally given him reason to live. Tosca appears unexpectedly with the news that his execution is to be a fake one, and that when he is “shot” he must feign death. They share a moment of joy as they look forward to their life together. The execution takes place and Cavaradossi falls to the ground. After the firing squad marches off, Tosca is horrified to discover that her lover is actually dead—she was tricked by Scarpia, and the fake firing squad death “like Count Palmieri’s” was all a ruse. Shouting is heard from inside the castle: Scarpia’s body has been discovered. Trapped, Tosca cries out, consigning both herself and Scarpia to God’s judgement, and leaps from the building to her death.
Synopsis by Maureen Woodall, Pacific Opera Victoria
Creative Team
Cast
Orchestra, Chorus, Supernumeraries, and Production
Orchestra
FLUTES Brenda Fedoruk, Principal Anne-Elise Keefer Heather Beaty PICCOLO Anne-Elise Keefer Heather Beaty OBOES Emma Ringrose, Principal Kristen Cooke ENGLISH HORN Erin Marks CLARINETS Christopher Lee, Principal Carlos Savall BASS CLARINET Julie Begg BASSOONS Ingrid Chiang, Principal Tracie Whitelaw CONTRABASSOON Allan Thorpe HORNS Laurel Spencer, Principal Nick Anderson Heather Walker Nicole Ma TRUMPETS Katherine Evans, Principal Nikolaj Hansen Candice Newberry TROMBONES Jeremy Berkman, Principal Jim Tranquilla William Broverman CIMBASSO Drew Dumas, Acting Principal ORGAN / CELESTE Angus Kellett, Acting Principal Harp Janelle Nadeau, Principal TIMPANI Phillip Crewe, Principal PERCUSSION Julia Chien, Principal Martin Fisk Len Pearson VIOLIN I Rebecca Ruthven, Acting Concertmaster Angela Cavadas, Associate Concertmaster Domagoj Ivanovic, Acting Assistant Concertmaster Ji In Kim Lawrie Hill Georgina Leo Evelyn Creaser-Rumley Joyce Lee Toni Stanick Rick Dorfer VIOLIN II Andrea Siradze, Acting Principal 2nd Jiten Beairsto, Acting Assistant Principal 2nd Ellen Farrugia David Lee Heilwig von Koenigsloew Sufan Yiu Julia Lim Ken Lin VIOLAS Tawnya Popoff, Principal Isabelle Roland, Assistant Principal Reginald Quiring Roxi Dykstra Marie-Claude Brunet Catherine Chen CELLOS Rebecca Wenham, Principal Heather Hay, Assistant Principal Jake Klinkenborg Susan Round Yu Yu Liu BASSES Maggie Hasspacher, Principal Michael Vaughan, Assistant Principal Jeff White Laurence Mollerup Orchestra Manager Nick Anderson Orchestra Stage Manager Jim Tranquilla Deputy Orchestra Librarian Michael Vaughan
Chorus
SOPRANO D'Arcy Blunston Rebecca Collett Eve-Lyn de la Haye Elizabeth Harris Allyson Hop Aviva Lacterman Heather Pawsey Julia Rooney Szu-Wen Wang Karen Ydenberg MEZZO SOPRANO Shani Cohen Francesca Corrado Katie Fraser Brenda Glass Martina Govednik Rachael McAuley Heather Molloy Megan Morrison Elena Razlog Dionne Sellinger TENOR Ian Backstrom Tristan Chalcraft William Grossman Paul Just Adam Kozak Lyndon Ladeur Brent MacKenzie Wade Nott Harout Markarian Sung Min Park Mark Pepe BASS / BARITONE Angus Bell Henry Chen Jason William Cook Glenn deVerteuil Jonathon Dick Willy Miles-Grenzberg Liam Robertson Andrew Stewart Zainen Suzuki
Supernumeraries
Liam Nimmo Denis Petrov Alessio Rios Diaz
Children's Chorus
Olivia Begg Fontaine Molyneaux Behgooy Emerald Chen Rebecca Floresco Clara Griesdale Fanya Gross Jake Apricity Hetherington* Myles Hunter-Gibbs Rowan Leslie Emilia Sankey Lewin Lucia Liberato Marlowe MacLennan Mischa Morawski Mana Nakamura Salomé Ochoa Claire O'Donnell Tessa Petkau Mela Pietropaolo* Sofia Scaglione Magnus Tao Supervisors Lorryzel Badajos Gillian Hunter-Gibbs Sophie Lee * Appearing with the permission of Canadian Actors’ Equity Association
Production
Director of Artistic & Production Nicole Lamb Company Manager Kewen Huang Technical Director Milk Chan Production Assistant Jimena Pacheco Costume Director Katie Hochman Head of Wardrobe Audrey Nishi Pachiel Smith Head of Properties Stephen Field Elgar Head Scenic Painter Omanie Elias Assistant Wardrobe Lily Yuen Cutter Victoria Klippenstein Stitchers Sarah Butler Jayme Cline Mary-Jane Cox Kate Rittenhouse Amy Yang SHOW CREW Production Carpenter Dale Baratelli Assistant Carpenter Bob Bancroft Grip Carpenter Carlos Avila Production Electrician Mike Bowen Assistant Electrician Cordelia Cohen Production Video Flick Harrison Head Props Mike Phelan Assistant Props Patrick O'Doherty Head Wardrobe Lily Yuen Assistant Wardrobe Carolyn Reemeyer Dressers Jayme Cline Victoria Klippenstein Kate Rittenhouse Production Hair & Wigs Caitlin Peake Head Hair & Wigs Sean Malmas Assistant Head Hair & Wigs Lilooet Fox Production Makeup Michael Croteau Head Makeup Saghar Bazargan CIVIC CREW Head Stage Carpenter, Civics Scott Ellis Head Fly Operator, Civics Darell Dunlop Head Electrician, Civics Beth Campbell Head Sound, Civics Vaughn Pease Head Video, Civics David Page
Watch, Listen, Discover

“Her Voice Becomes a Little Bit Like a Blade”
Joyce El-Khoury on faith, instinct, and playing Puccini’s most embattled heroine.

Three Chords and the Devil
Jacques Lacombe on Scarpia’s devilish chords, assisting Bernstein, and the Manhattan Transfer song that taught him about silence.

Study Guide
Learn more about Puccini's Tosca with our Study Guide.

Tosca in 60 Seconds
Luka Kawabata breaks down Puccini's greatest thriller in 60 seconds. Photo: VO's 2026 Production of Tosca. Photo by Emily Cooper.

The Hidden Art of Stage Management
Longtime Stage Manager Theresa Tsang Celebrates 30 Seasons with Vancouver Opera

Vancouver Opera Takes a Trip to Italy
Read about Vancouver Opera's feature story in MONTECRISTO Magazine's fall issue. (Illustration by: Francesco Zorzi)
Upcoming Events & News
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Dear supporters of Vancouver Opera, We are delighted that you are here tonight to enjoy our production of Puccini's Tosca. This production of Tosca reminds us that the power of music goes beyond politics and language and straight to the heart of our shared human experience. Vancouver Opera is fortunate to have extraordinary musicians and artists involved in this mainstage production. As many of you know, our ticket sales make up one third of the operational costs to bring you opera excellence, with government grants and private donations making up the other two thirds. Please consider supporting Vancouver as a donor whether as a Friend, member of our Opera Round Table, member of our Amatori planned giving circle, or with a corporate gift. To our generous donors, mille grazie - many thanks. It is because of the generosity of our donor community that we can experience the beauty of this 400 year-old art form. Thank you all for your dedicated support of Vancouver Opera and if you'd like to join our growing community of donors, we would love to hear from you. With deep appreciation, Suzanne Scott PhD Director of Development
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Anonymous (5) Pernilla Ahrnstedt Carmela Allevato Mr. Tom Angelus Mr. Alex Asahina M Avini Jill Bain and Bill Napier-Hemy Ms. Atsuko Barbour Mrs. Gillian L. Beattie Chris Bellamy Karen Bentley Valeriya Berezina Susan Biddle Ms. Ruth Blair Reg S. Bonn Ms. Maureen Boudier Mr. Nic Boyde Ms. Osiris D. Buendia Mr. John Burgess Ms. Cristina Cajipe Ms. Kirstie Campbell Marie Campbell Mr. James Carolan Mrs. Shirley F. Chan Ms. Krysta Chapman Ms. Fang Cheng Elizabeth Cheu Ms. Anne Clemens Jennifer Coté Mr. Marco Crespan Ms. Clare Crosthwait Mr. Giles D. Cullen Terri D. Damiani Wayne Dannhauer Mr. Andree Dansereau Jane Darling Ms. Jacqueline Day Mr. Jason Devine Ms. Margo Dobbin Janice M. Douglas Hillary Downing Tanya Dubicheva Ms. Margaret Duncan Mr. Georg Ehrmann Carolyn Elsey Mr. Guido Elvet Mr. Gaalen Erickson Maureen L. Evashkevich In Memory of Irwin Davis. Robert and Tina Fawcett Mr. Josef Findlay Liz A. Flanders Ms. Annette Floyd Ms. Ingrid Fluevog Mr. James Ford Mrs. Helen Foster-Grimmett Tosh Fujita Ms. Dorothy Gazzola Dr. Chris Gibson PHD Ms. Jillyan Gift Floriana Giosan Linsey Gray Deborah Greenfield Susan Gregson Ms. Natasha Gukova Irene Gutmann Mrs. Patricia Haffenden Mr. Bill L. Harris Ms. Rupa Heer Ms. Janet Helm Ms. Jennifer L. Hibbard Lawrence R. Higa Mr. & Mrs. Allan Hoegg Michael Hoenisch Gillian Holter Kathleen Holton Ron Holton Erin Hudec Mr. Brent Hunter Mr. Gerald Hurlburt Ms. Naima Iversen Ms. Ana Ivkov Mr. Shafiq Jamal Ying Jiang Eric V. Johnson Mrs. Jan Johnstone Helen Junata Dr. Susan Jung-Kemeny Tatyana Karpova Ms. Donna M. Kaye Rosalind P. Kellett Ms. Karin Kemeny James Kirker Margaryta Komnatska Ms. Jacquie Kool Mr. Endre Koritar Ms. Margaret Kovacs Ljiljana Krstovic Andrew Larigakis Mrs. Bess Lee Mr. Edward Lee Kathy Lewis Stephanie Lim Jessy Lin Ms. Christine V. Locke Mrs. Toni Loo Patrice Lynch Susan MacDonald Brock MacLachlan Tanya Matys Kendall McIntyre Trevor McIvor Mrs. Bonnie Mclellan Ms. Louise Merler Jacques Metivier Mr. Keel Miller Jennifer Misera Dr. Barbara Moon Dr. Marcus Moon Mr. Alexandr Morkin Valerie J. Morrison Eduardo Moura Mrs. Ronica Mund Tsuneo Nakano Ms. Elize Nel Ms. Henrietta Nemeckova Dr. Alex Neumann Ms. Marisa Nichini Mr. Peter S. Niederhausen Mrs. Theresa Nielsen Mrs. Jean & Mr. William Norquist Ms. Maureen O'Connor Mr. Tony I. OHara Arline Oishi Marina Ovsenek Manning Namsu Park Jo-Anne Parneta Ms. Kirsten Pedersen Apexmaster Roof Systems Roberto G. Perroni Trang Pham David Phillips Susan Piepke Mrs. Silva Plut Sonya Polowy Mrs. Juliana Popovich Mrs. Donna Prosser Paula Pryce Dinah Quan Ms. Liz Quinternet Laila Radage Dr. Donald Randall Mr. Mr. N. Reilly Ms. Lorraine Reinhardt Rachelle Reynolds Marina Richter Emma Ringrose Ursula & Tom Robertson Ms. Wendy Robertson Mr. Julian Roemer Ms. Anita Romaniuk Melina Romero Ayala Mr. Oscar Romero Mrs. Brigitte Sakuler Mrs. Maria Santoso N. Jerimiah Sappington Ms. Wilhelmina Savage Dr. Lynn Schouls Mr. Ron Schubank Mr. Nicholas Shimano Alan Simmonds and Ms. Candace O'Connor Kay Sinclair Richard and Irena Skalbania Wanchun Song Xin Xuan Song Belinda Spear de Erney Dr. Mary Sproul Mr. William H. Squibb Ms. Jane J. Srivastava Mr. Norman P. Steinberg Ronald David Stephens Kerry Strayton Megan Sutton Dr. Emil Sztopa and Katalin Janko Mediha Tarim Sener Dr. T.G. Temple Mr. Wolfram Tetzlaff Kim and Mario Tomsich Haizley Trevor-Smith Richard K. Vallee Kim Van Gorp Petra Vanderley Mr. Claudio Vellutini Wade Wang Mrs. Gwyneth Westwick Mr. David E. White Mrs. Beryl Frances Wiebe In Memory of Joe Williams Mrs. joyce l. williams Mrs. Laura Wilson Ms. Denise Yang Ms. Yolk Kin May Yu Yulia Yukhadi Mr. Gordon Yusko Heidi Zetzsche Dominika Ziemczonek Ms. Jana Zimmerhakl Mrs. Iana Zvereva
Public Funders
Canada Council for the Arts BC Arts Council Department of Canadian Heritage City of Vancouver Government of BC Ministry of Tourism, Arts, and Culture Creative BC
Corporate Supporters
Season Sponsor MONTECRISTO Matinee Season Sponsor Amica Senior Lifestyles VOICES Series Sponsor TD Cultural Tourism Partner Helijet International Inc. Catering Partner Savoury Chef Floral Partner Studio Full Bloom
Foundations
Arthur Toft Foundation Andrew & Julia Sung Foundation Ann Claire Angus Fund, held at Vancouver Foundation Chris Spencer Foundation Christopher Foundation The David Spencer Endowment Encouragement Fund George W. Norgan Fund, held at Vancouver Foundation The Hannah Woodnutt Smith Memorial Fund Joan C. McCarter Foundation through the Victoria Foundation Mr. Thomas Lightburn M.A. Faris Foundation Minovitz Family Foundation Opera America Private Giving Foundation Taylor Taliesin Foundation Fred and Minnie Toft Foundation Vancouver Foundation Vancouver Opera Association Endowment Fund
Board and Staff
Vancouver Opera Board of Directors
Chair Stanis Smith Vice Chair Allie Meeres Treasurer Joshua Hutchinson Secretary Jennifer Choi Past Chair Krista Johanson Reda Akladios Krysta Chapman Ally Dick Shaun Dolman Joshua Hutchinson Kevin Kelly Pierre Lebel Ivor Luk Emily MacKinnon Richard Rees Andrew Robb Chloe Sauder Stephen Schachter Isabelle Spothelfer Carol Tsuyuki Susan Van der Flier Wilson Williams Yang Wang President, Vancouver Opera Guild Anna Batts
Vancouver Opera Foundation Board of Trustees
Chair Richard Rees Treasurer and Secretary Jim MacCallum Geoff Dodds Yuri Fulmer Emily MacKinnon Kevin Mah Susan Van der Flier Paul van Galder
Vancouver Opera Staff
General Director Tom Wright Music Director Jacques Lacombe Music Director Emeritus Jonathan Darlington General Director Emeritus James Wright Director of Marketing Jonathan Harrison Director of Development Suzanne Scott Director of Artistic & Production Nicole Lamb Director of Finance and Administration William Murgatroyd Director of Engagement and Civic Practice Ashley Daniel Foot ARTISTIC PLANNING Company Manager Kewen Huang Head of Music Leslie Dala Coach/Répétiteur & Assistant Head of Music Tina Chang Preparatory Librarian Connie Goetz PRODUCTION Technical Director Milk Chan Production Assistants Jimena Pacheco Head of Properties Stephen Field Elgar Costume Director Katie Hochman Head of Wardrobe Audrey Nishi Pachiel Smith DEVELOPMENT Manager, Grants & Sponsorships Xin Xuan Song Manager, Major Gifts Greer Ross-McLennan Development Coordinator Miranda Carroll FINANCE AND ADMINISTRATION Accounting and Payroll Manager Sonny Sohn Facilities Manager Mack McGillivray MARKETING Creative Director Annie Mack Associate Director of Marketing Keltie Laidlaw Database and Ticket Centre Manager Tracey Flattes Ticket Centre Associate Charlene Hibbard Social Media Specialist Lucas Bertoli Senior Communications Advisor Stephen Lyons Publicist Cynnamon Schreinert Program Ad Sales Jennifer Lee ENGAGEMENT AND CIVIC PRACTICE Writing/Research Jane Potter Multimedia Producer Mack McGillivray Engagement/Musicology Curator Nicholas Burns YULANDA M. FARIS YOUNG ARTISTS PROGRAM Program Director Leslie Dala Coach Tina Chang Julia LoRusso, Soprano Marianne Bertrand, Mezzo Soprano Callum Alden, Tenor Mihnea Nitu, Baritone Michal Aloni, Stage Director Cecilia NguyenTran, Pianist
Vancouver Opera is a professional company. It operates under the jurisdiction of Canadian Actors’ Equity Association, Vancouver Musicians’ Association, and IATSE 118, and is a member of OPERA America and The Association for Opera in Canada.


















































